What are the connective devices?

So far we've focused on all the content words in these passages: qualities, things, processes... all the "stuff" that we notice. The last important thing we should look at is the stuff in between the stuff: the connective devices.

Highlight the connectors in both passages.

The street was lined on both sides by blank, doorless, windowless walls. I could see in the distance, two intersections down, streetlamps, cars, and more pedestrians, but they were all too far away. Because lounging against the western building, midway down the street, were the other two men from the group, both watching with excited smiles as I froze dead on the sidewalk. I realized then that I wasn't being followed.

I was being herded.

I paused for only a second, but it felt like a very long time. I turned then and darted to the other side of the road. I had a sinking feeling that it was a wasted attempt. The footsteps behind me were louder now.

Twilight(2011)

This time, after going to the far side of the Pass, he suddenly turned down a narrow roadway which ran sharply to the right. Soon we were hemmed in with trees, which in places arched right over the roadway till we passed as through a tunnel. And again great frowning rocks guarded us boldly on either side. Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket. The keen wind still carried the howling of the dogs, though this grew fainter as we went on our way. The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear.

Dracula(1897)

When you look at these connectors you can see just how different the passages are. Because Twilight is built with simple statements, there is very little need for connectors. But Dracula uses layer after layer of connectors to develop those big expansions, and to create all the action in the landscape.

Also notice that the connectors aren't fancy words: the most common is and—you can't get much simpler than that.