The tail lights of that car

This next snippet is simpler, but features a callback.

The tail lights of that car burn the bush up and go slowly out. Burke and Wills.

Refocusing on the alarm: We refocus attention from the surroundings to the source of the false alarm.

Closing the alarm: There’s a brief description to close the false alarm and put it to rest.

Callback to earlier detail: Then we have a fragmentary callback to an earlier detail for resonance.

For the callback, choose a detail you’ve used before that will resonate as you close this false alarm.

Tim Winton sets a high bar here with Burke and Wills: two tail lights, two explorers, both disappearing into the bush, never to return—it’s an evocative detail. 

Don’t worry about hitting this benchmark. Focus on choosing a detail that you’ve used before and makes sense as a callback at this point. If it has some kind of emotional resonance, that’s a bonus. 

The old man’s trousers brush against his shopping bags as he pedals away. Dinner time.

I hear the bridle jingle again and then Chestnut’s head appears at the stable door. Checking the mask.

Write your variation here.