Recap

The thing to remember from this lesson is that point of view is more than grammatical person: it's a set of interlocking pieces that you can adjust to create different effects based on who knows what about the story world.

That said, there are a lot of permutations, so here's a recap of everything we've explored in this lesson:

There are three types of people involved in a story:

  • Audience
  • Narrator
  • Character

Point of view is about the relationship between these three entities.

Third person

  • The narrator follows one or more characters and tells the audience what they do in the narrator's own voice, from the narrator's perspective.

Second person

  • The narrator tries to convince the audience that the audience are the point of view character, using the pronoun 'you'.

First person

  • The narrator tries to convince the audience that the narrator is the point of view character, using the pronoun 'I'. 
  • They tell the audience what happens in the point of view character's voice, and from their perspective. 
  • The first person storyteller could actually be the real life author (in which case the story is called a recount, memoir, or autobiography).
  • Or the first person storyteller could be a fictional character narrating a fictional story.

Subjective

  • The narrator can go inside characters and directly describe their thoughts and feelings.

Objective

  • The narrator has to stay outside the characters and can only describe their behaviour.
  • If the narrator wants to describe thoughts and feelings, they can only describe how the character expresses them externally: what they do and say, how they appear or seem to be. 
  • However, even in objective point of view the storyteller is allowed to describe the characters' perceptions, including what they see and hear.

Limited

  • The narrator chooses one character to act as the point of view character and stays close to them while telling the story.

Alternating

  • The narrator alternates between multiple point of view characters, typically across scenes or chapters, but obeys the rules of limited point of view while within the scene.

Omniscient

  • The narrator is not bound to one point of view character, but instead gets to float around and follow whoever they want.
  • Additionally, if they are using subjective point of view, the narrator can go inside any character they want and describe their inner experiences.
  • The omniscient storyteller can also describe things that the characters know nothing about—events, history, themes, whatever. It's a 'godlike' perspective.

What are the strengths and weaknesses of each?

Third person

  • Lots of flexibility, even if limited to one point of view character.
  • Allows the storyteller to have a voice and attitude that contrasts to the point of view character.
  • Third person omniscient is good for epics, when the storyteller wants to take a grand, godlike, above-it-all perspective.
  • Third person objective is good for creating distance between audience and characters, for instance to make them seem more noble, mysterious or surprising.
  • Third person limited subjective is the best overall choice, sharing many advantages of third and first person.

Second person

  • Can create a disarming, reflective mood.
  • Feels a bit artificial and claustrophobic, which can sometimes be a good effect.
  • Good for games or stories where the audience has agency and can make choices.

First person

  • Good when the story is primarily about one character's experience and perceptions; when the character is the story.
  • First person means the storyteller and character need to have the same voice and perspective, which can feel a little claustrophobic, so the character's voice and perspective need to be really compelling to make first person worthwhile.