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Change, cause & effect

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

Change, cause & effect

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

First person in That Eye, the Sky

Memoir Basics

Change, cause & effect

Conflict & resolution

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

First person in That Eye, the Sky 1: Saying goodbye

First person in That Eye, the Sky 2: Summarising the characters

First person in That Eye, the Sky 3: Sounds of the night

First person in That Eye, the Sky 4: Increasing the tension

First person in That Eye, the Sky 5: Racing to the scene

First person in That Eye, the Sky 6: The bad event

Genre Mix 01 (General)

Memoir Basics 1: What's in a memoir?

Memoir Basics 2: Using memory to tell a story

Memoir Basics 3: Adding feelings, judgments, and explanations

Memoir Basics 4: Writing an eye-catching opener

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

First person in That Eye, the Sky

Memoir Basics

Change, cause & effect

Conflict & resolution

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

First person in That Eye, the Sky 1: Saying goodbye

First person in That Eye, the Sky 2: Summarising the characters

First person in That Eye, the Sky 3: Sounds of the night

First person in That Eye, the Sky 4: Increasing the tension

First person in That Eye, the Sky 5: Racing to the scene

First person in That Eye, the Sky 6: The bad event

Genre Mix 01 (General)

Memoir Basics 1: What's in a memoir?

Memoir Basics 2: Using memory to tell a story

Memoir Basics 3: Adding feelings, judgments, and explanations

Memoir Basics 4: Writing an eye-catching opener

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

First person in That Eye, the Sky

Memoir Basics

Change, cause & effect

Conflict & resolution

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

First person in That Eye, the Sky 1: Saying goodbye

First person in That Eye, the Sky 2: Summarising the characters

First person in That Eye, the Sky 3: Sounds of the night

First person in That Eye, the Sky 4: Increasing the tension

First person in That Eye, the Sky 5: Racing to the scene

First person in That Eye, the Sky 6: The bad event

Genre Mix 01 (General)

Memoir Basics 1: What's in a memoir?

Memoir Basics 2: Using memory to tell a story

Memoir Basics 3: Adding feelings, judgments, and explanations

Memoir Basics 4: Writing an eye-catching opener

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

First person in That Eye, the Sky

Memoir Basics

Change, cause & effect

Conflict & resolution

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

First person in That Eye, the Sky 1: Saying goodbye

First person in That Eye, the Sky 2: Summarising the characters

First person in That Eye, the Sky 3: Sounds of the night

First person in That Eye, the Sky 4: Increasing the tension

First person in That Eye, the Sky 5: Racing to the scene

First person in That Eye, the Sky 6: The bad event

Genre Mix 01 (General)

Memoir Basics 1: What's in a memoir?

Memoir Basics 2: Using memory to tell a story

Memoir Basics 3: Adding feelings, judgments, and explanations

Memoir Basics 4: Writing an eye-catching opener

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

Change, cause & effect

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

First person in That Eye, the Sky

Memoir Basics

Change, cause & effect

Conflict & resolution

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

First person in That Eye, the Sky 1: Saying goodbye

First person in That Eye, the Sky 2: Summarising the characters

First person in That Eye, the Sky 3: Sounds of the night

First person in That Eye, the Sky 4: Increasing the tension

First person in That Eye, the Sky 5: Racing to the scene

First person in That Eye, the Sky 6: The bad event

Genre Mix 01 (General)

Memoir Basics 1: What's in a memoir?

Memoir Basics 2: Using memory to tell a story

Memoir Basics 3: Adding feelings, judgments, and explanations

Memoir Basics 4: Writing an eye-catching opener

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

Change, cause & effect

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy

Change, cause & effect

Contrast & juxtaposition

Dracula vs Twilight: Forks vs the Carpathians

Emotion 3: Evoking emotion in the reader

Narrative distance

Point of view

Valuing & judging

Writelike Charles Dickens: The fog in Bleak House

Writelike Jane Austen: Mr Darcy at the dance

Writelike Mary Shelley: Frankenstein's monster's lament

Writelike Shakespeare: Macbeth's 'Tomorrow' soliloquy